Check
this out. Vinyl. Cool or what?
I've got loads of old vinyl. People of a certain age have this stuff. I also have loads of CDs, VHS and more recently DVDs. I even have the odd MP3 but as I like my music loud and to vibrate the house I don't have a puny MP3 player.
The Music.com came to my attention at a Who concert last year. They sell some pretty cool gear for aging hippies and boomers. I did buy a pile of
the Who's CDs from those 2005 gigs but I don't think my enthusiasm extends to getting a complete set of every gig, which appears to be available. Makes bootlegging obsolete, anyway.
This has to be useful. Diigo has some cool tools for social annotation - including sharing tags and bookmarks - plus some sharp tools for bloggers. Check it out.
To quote their home page:
"The Diigo team is dedicated to provide innovative and useful web services for our users. The name "Diigo" is an abbreviation for "Digest of Internet Information, Groups and Other stuff." Diigo (dee'go) is about "Social Annotation". By combining social bookmarking, clippings, in situ annotation, tagging, full-text search, easy sharing and interactions, Diigo offers a powerful personal tool and a rich social platform for knowledge users, and in the process, turns the entire web into a writable, participatory and interactive media. The social annotation service introduced by Diigo allows users to add highlights and sticky notes, in situ, on any web page they read. Imagine a giant transparency overlaying on top of all the web pages. Users can write on the transparency as they wish, as private notes or public comments. And they can read public comments on the transparency left by other readers of the same page, and hear their "two cents" and interact with them."Cool.
Mustknow, as in
you must know this stuff. It's a fluid thing really. And not as prescriptive as it sounds. It's just
my opinion. You don't
really have to know this stuff, but
I know it and
I reckon someone else
may like to know it too!
- Mustknow bikelinks, quintessential bike know-how.
- Addicted2wheels, the bike blog for racers
- Bike racing for almost anyone
- Take a flying leap with these airliner links. From Constellations to DC2s...
- Got a Tipo 116? Crash your world with these slightly Alfa-centric carlinks..
- Like your music with electricity? Thrash your world with these musiclinks
- Super cool music theory site
- Philosophically speaking, you must have some idea about why we are here
- Environment getting you down? It should! Serious, sustainable business blogging
- Steady study with the MBA resources at thespiel
Hope you find something useful in amongst that lot!
I'm a bit obsessed with the PC industry. In analysing the product life cycle of the PC recently I suggested that it was at the stage where it had commoditised and faced concentration into a few big players being nibbled at on teh edges by niches; or where it quietly died, replaced by something better. At the heart of the PC of course is the processor and the chief players include Intel and AMD. Their future is inextricably linked to the PC market. Either that or get out and do something elsewhere, like IBM has done with Cell. And there's a whole wealth of history in processors.
Now it's pretty plain that relatively speaking the P4 was a dud that lost ground to AMD. Intel turned to the P3 design to develop the Pentium M, rather than leverage P4. And again they ignored the P4 to develop their new "Core" product line. Try this quote from Tom Yager:
"Intel’s first server-targeted core microarchitecture CPU, the Dual-core Xeon Processor 5100 (aka Woodcrest), has made its debut. A client CPU line branded Core 2 Duo launched as well, so in servers, desktops, and notebooks, Pentium 4 (aka Netburst ) is officially off the road map." Or this:
"Now it falls to buyers to maintain a vigilant skepticism. While Intel seems to have come to its technological senses, it has not mended its marketecture. The “Core” brand confusingly refers to two unrelated, incompatible architectures; Core Duo and Core Solo are not 64-bit Core Microarchitecture CPUs, but are fairly minor enhancements to the 32-bit Pentium M. Core Microarchitecture marketing reaches for revisionist continuity by crediting the contributions that Netburst made to Core, attempting to paint over Core Architecture’s design goal of repeating none of Netburst’s mistakes." Netburst of course refers to the P4
.
Read the rest of Tom's yarn on the P4 here at Infoworld.
Blogging gives me another reason to write. As I do
want to write, and I want to
practise writing, it seems to me that any method is better than no method. Blogging is a
style, one that I break regularly. There's an
etiquette as well, which I choose to ignore. The point to me is that I can write what I want, when and where I want. Now I always could - and did - do that. However now my scraps of paper are not filed away in a folder but published on the web. Apart from added colour and motion I have gained a small readership. Potentially, anyway. Somehow it's both inspiring and limiting to have this level of openness. Inspiring that what I write will be viewed and critiqued, and limiting in the sense that now what I write is not just for me. So I tend to edit a bit more harshly. Or not. It's my choice, and I am aware of it.
Anyway, most of my recent writing has been in
my blogs. I blog about
writing,
photography,
business,
cars and
bike racing. Plus I
rant and
rave. Or just share
opinions. There's some overlap, but mostly they stay on track. Feel free to critique.
The
mathematics behind music is almost as interesting as the music itself - well,
almost. This caught my eye: "In Western music,
harmony--the selection of notes to create a chord--and
counterpoint--how individual notes are connected in time to establish melodic voices--together form the basis for
composition. The rules of harmony and counterpoint embody aesthetic norms but also represent constraints on the composer that can sometimes be difficult to reconcile.
Tymoczko (p. 72; see the Perspective by Hook) discusses a mathematical system for organizing the 12 tones of the western scale that makes use of a topological structure called an orbifold, in which chords are points in the topological space and the segments connecting them indicate how chords progress. Examination of the geometry of these spaces provides an understanding of some long-standing puzzles in music theory."
It's from Science.